![]() I still think the VII (mine anyway) one of the best altos Selmer ever made, IMHO, but were I to lose the particular one I have or it be stolen & un-recoverable I would probably get a Reference 54 alto. go figure, I guess, as they say, you sound pretty much the same on most any horn to a large degree to others. Quelques publicités anciennes des sax Buescher glanées sur le web au fil des années, elles sont classées par date. ![]() Publicités anciennes de saxophone Buescher. I'll keep my VII, thank you, over any Yamaha played a Reference 54 alto, beautiful horn, really nice sound, but it sounded so much like my VII (this from the folks at the Selmer dealer too who heard both horns) that I didn't buy it, had my check book with me too. Buescher 400 S-5 1960 Alto (patine vieux bronze Jef Delsuc) Plus de photos sur la galerie Buescher du site saxpics. there use to be this old joke way back when I was in school."oh, you've got a Yamahahahaha" I thought it terrible and not funny at all, but it was back in their earlier production days.(their horns are much better now) most people who put down VII's never played a really good one, they've been indoctrinated by the VI hype into mindless zombies, lol.MKVI, MKVI, MKVI, MKVI, and they are very fine horns without a doubt.but, been there, done that.M119XXX, sold it & never regretted it. my VII has perfect intonation, never have any problem at all unlike some of the Yamahas I've heard (could be who was playin em too). Maybe he had a bad one.there are dogs even among VI's, I've seen & played a few.
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